studying the archaeological collections made by Augustus Henry Lane Fox Pitt-Rivers
Wayland's Smithy Chambered Tomb - a scale model from the 1860s
Chalk carved figure from Bishopsgate, London
Chalk fragment carved in the form of a crucifix (or possibly a human figure with arms outstretched). Pitt Rivers Museum Accession Number 1884.58.54 |
Here is the first in this new series: a fragment of chalk carved in the form of a human figure: a crucifix, or possibly a figure with arms outstretched. It was found at Bull Yard, of Dunnings Alley on Bishopsgate in the City of London (EC2) on 16 November 1865. The Museum's accession book describes it as "Rough chalk carving of a crucified figure (no cross) on a block".
We hope to be able to commission new professional photography for some of these objects through future projects. The object is now on display in the Court of the Pitt Rivers Museum.
Reverse of carved chalk fragment 1884.58.54 |
Leather shoes from London
A fragmented sole of a Roman leather sole with hob nails still present (1884.92.41). |
During Pitt-Rivers’ archaeological watching brief and excavations during the construction of the Gooch and Cousens Warehouse on London Wall in the City of London in October-December 1867,
a number of organic objects were recovered and survive in the collections of the Pitt Rivers Museum. His own publication on the site described how the peat
was responsible for the preservation of this organic material (Lane Fox 1867).
The material that was preserved included objects made of wood and
leather. The wood preserved on the site
comprises two handles attached to iron blades and also a series of wooden
piles that are discussed and illustrated in Pitt-Rivers' publication.
Section drawings illustrating the wooden piles that were excavated at London Wall (Lane Fox 1867) |
The leather objects from the site are all fragments of shoes
and the majority are the soles of Romano-British shoes or boots. A number of the shoe soles have iron hobnails still attached. Pitt Rivers described them as “…being thickly studded
with hob nails, may be recognized as the caliga of the Roman legions.” Due to
the ‘great quantities’ of leather finds and the discovery of two iron
implements, used for dressing leather, from one particular area of the site in his 1867 publication Pitt-Rivers queried whether this was an area where shoe-making took
place - although he later concluded due to the worn nature of the shoes that it is very
unlikely but does comment that more recently the site was in the vicinity of a
tannery and that a passage close by is known as “leather-sellers’ alley”.
The leather shoe fragments have now been
re-packed appropriately and a few, due to their fragile nature, are waiting for the museum's conservation team to assess. You can read the Excavating Pitt-Rivers project's full report on the Pitt-Rivers archaeological material from London here - https://www.academia.edu/4769220/Pitt-Rivers_in_LondonA Roman lamp stand
The Excavating Pitt-Rivers project has nearly finished cataloguing the Founding English archaeological material. Our last count totals just over 10,900 objects which is an increase of 3,500 from our original estimations!
The remaining objects are those that are more difficult to locate in our stores; the title of the project is currently very apt. One object that we recently found is an excellent Roman lamp stand thought to have been found in London.
The copper alloy lamp stand has been beautifully made and comprises of a tripod-foot with lion feet detailing and three birds sitting on the tops of each foot; a spirally-fluted shaft ornamented with a cockerel and a cat / weasel. The dish top is square and has fractured from the main shaft.
This object is by no means characteristic of the majority of material that makes up the English archaeological founding collection but has to be one of my favourites. Similar examples can be seen at the British Museum (1756,0101.530, 1869,0304.1, and 1772,0302.43).
The remaining objects are those that are more difficult to locate in our stores; the title of the project is currently very apt. One object that we recently found is an excellent Roman lamp stand thought to have been found in London.
Roman lamp-stand (1884.116.95 .1-3). |
The shaft is spirally-fluted and has a cat / weasel attached to the lower section. |
Above the cat / weasel is a cockerel; the detailing on this ornament is particularly fine. |
The feet of the tripod are lion feet and each has a bird attached. |
Sussex Archaeological Society visits the Pitt Rivers Museum
Public engagement, as previously mentioned, is a central element of the Excavating Pitt-Rivers project. In June Carlotta went to Lewes and presented the projects initial findings on Pitt-Rivers' time in Sussex and visited Mount Caburn with the Sussex Archaeological Society. On Saturday (19th October), as a follow up to this visit, the project invited the society to the Pitt Rivers Museum.
The day began with an introductory talk by Dan Hicks who updated the society on our progress over the past couple of months. After lunch, which included excellent discussion on the theme of the day, we were able to show the group a selection of the material collected in Sussex. The material we had on display was from two of the key sites in Sussex (Mount Caburn and Cissbury) and included flint implements, ceramic sherds, fragments of metal, and four examples of Pitt-Rivers' experimental work at Cissbury. We asked the group to look at the material in a different way to expected; instead of looking at the objects as examples of archaeological artefacts we wanted to look at them as a source of information about Pitt-Rivers. This demonstrated the importance of using the artefacts within the founding collection as an important source of information when studying his early archaeological work.
Dan Hicks giving an introductory lecture to members of Sussex Archaeological Society at the Pitt Rivers Museum |
Four members of Sussex Archaeological Society examining a selection of material excavated by General Pitt-Rivers from Mount Caburn and Cissbury. |
An example of the documentation that is on the objects that Pitt-Rivers collected during his time in Sussex. Almost every single object from Mount Caburn has a label similar to this attached, it typically records the date and location from which it was excavated. In this case the label for 1884.137.41 .7 reads 'MOUNT CABURN SEPT 1877 Upper Rampart interior slope'. |
The day was a great success and we hope that Sussex Archaeological Society found it as useful and enjoyable as the project team. We look forward to our next visit from Yorkshire Archaeological Society on the 4th November.
Pitt-Rivers and London: draft report
Image: A Romano-British ceramic vessel from the site of Broad Street Station (now Broadgate, EC2 - behind Liverpool Street Station) collected on 17 July 1868, probably by General Pitt-Rivers himself; from the founding collection of the Pitt Rivers Museum (Pitt Rivers Museum accession number 1884.37.27)
Our draft report on the material from London, and the sites from which they were collected, is now published, and is online here. Through our documentation of the artefacts, we have identified a range of sites from which material was collected, largely through early instances of salvage archaeology, undertaken during groundworks for railways (including the London underground) and warehouses during the 1860s.
Image: Ceramic bowl recorded as 'found in London', collected by General Pitt-Rivers before 1881; from the founding collection of the Pitt Rivers Museum (Pitt Rivers Museum accession number 1884.37.27)
Beyond the City of London, there is a large collection of Palaeolithic material from Pitt-Rivers' pioneering survey of the Thames Valley near Ealing undertaken in 1869-1871. Alongside this material are objects collected or excavated from sites as diverse as Southwark Street and Borough High Street, Walthamstow; Hampton Court; Lincoln’s Inn, Serle Street; Queen Square, Camden; Yeading Brook, Hounslow Heath; Charing Cross Station; Wormwood Scrubs; Mill Hill, Barnet; Grays Inn Road; Sanderstead - and even from a cesspool at Homerton.
Many of the objects have specific dates from the 1860s, when they were collected, recorded. We hope that publishing this draft report will help us contact museum professionals, archaeologists, historians and others with knowledge of the context of the archaeology of these sites, and the history of construction at them, to add to our knowledge of Pitt-Rivers activities in early 'rescue' archaeology, from Roman, Palaeolithic and other sites in London. To contact the project, please read the report, and email dan.hicks@prm.ox.ac.uk
Image: a sherd from a Romano-British Samian ware bowl, marked as collected during excavations for the new railway station at Cannon Street in 1864; from the Pitt Rivers Museum founding collection. The potter's mark - 'OF.SEVERI' - has copied onto a label stuck to the sherd (Pitt Rivers Museum accession number 1884.41.114)
Image: Ceramic jug from Bishopsgate acquired by General Pitt-Rivers on 22 February 1878; from the founding collection of the Pitt Rivers Museum (Pitt Rivers Museum accession number 1884.37.39)
Image: a sherd of Romano-British Samian ware pottery, marked as collected from New Southwark Street on 10 December 1886 by General Pitt-Rivers (then known as 'A.L. Fox') (Pitt Rivers Museum accession number 1884.41.106)
Image: a sherd of Romano-British Samian ware pottery, collected during excavations at the Gooch and Cousens warehouse on London Wall, and evocatively marked in Pitt-Rivers' own hand as found at a depth of 13 feet 'in roadway, Dec 28 [1866], by me' (Pitt Rivers Museum accession number 1884.41.109)
Image: A Palaeolithic implement, collected from Clapham Rise, Battersea by General Pitt-Rivers on 25 September 1869. (Pitt Rivers Museum accession number 1884.122.356)
Image: Base of a sherd of Romano-British pottery, collected during excavations at the Gooch and Cousens warehouse on London Wall, and evocatively marked in Pitt-Rivers' own hand as found at a depth of 13-14 feet 'in peaty earth in roadway, Dec 28 [1866], by me' (Pitt Rivers Museum accession number 1884.41.42)
Image: Base of a sherd of Romano-British pottery, collected during excavations at the Gooch and Cousens warehouse on London Wall, and evocatively marked in Pitt-Rivers' own hand as found at a depth of 13-14 feet 'in peaty earth in roadway, Dec 28 [1866], by me' (Pitt Rivers Museum accession number 1884.41.42)
Four-Field Anthropology
Image: Table of the various sections and sub-sections of Anthropological science according to my view of the matter” by General Augustus Pitt-Rivers: Copyright Bodleian Library, Acland Papers d92, fol. 90.
As part of the research for the Excavating Pitt-Rivers project, the team has worked through primary manuscript sources as well as documenting objects in the museum collection. Archives and manuscripts are often considered as different kinds of evidence from artefacts, but this kind of distinction was alien to General Pitt-Rivers own approach - and the project team, informed by historical archaeology, has tried to approach manuscript sources as just another kind of material evidence.
With this approach in mind, in Spring 2013, as part of the Excavating Pitt-Rivers project Dan Hicks wrote this paper, about a previously unpublished drawing made by General Pitt-Rivers in 1882. The drawing shows the discipline of anthropology as consisting of four fields - Physical Anthropology, Ethnology, Culture and Archaeology - and pre-dates the 'four-field' model of anthropology associated with Franz Boas by some 24 years. This idea of anthropology as including archaeology has remained important for North American archaeology, while during the 20th century more commonly archaeology and anthropology took different directions in Europe.
The paper is published in open access form online by the journal Current Anthropology, includes a supplement that provides a transcription of the letter written by Pitt-Rivers that accompanies the drawing, outlining his view of the organisation and teaching of the discipline.
The drawing is a unique insight into the early transatlantic exchanges in the development of anthropology as an academic subject. The Current Anthropology paper argues that museums, as places that require the physical organisation of knowledge in material form, were key locations at which classificatory approaches in anthropology came to start to classify anthropological knowledge. It also explores the kind of disciplinary histories that can be written from museums and archives.
You can read the paper on the Current Anthropology website here - http://www.jstor.org/stable/10.1086/673385
The abstract of the paper is below:
"The four-field model of anthropology is conventionally understood to have begun with a paper read by Franz Boas in St. Louis in 1904. Publishing for the first time a drawing made by Augustus Pitt-Rivers in England in 1882, this paper rethinks this proposition by making two arguments. First, the paper explores the role of the classificatory anthropology of the 1870s and 1880s on both sides of the Atlantic in the emergence of the idea of organizing anthropological knowledge. It suggests that this emergence was bound up with the problem of classifying anthropological knowledge in material form in European and North American museums. Second, the paper considers how our knowledge of the discipline's past can develop from the study of objects and documents (rather than only through rereading anthropologists' published texts), in a manner akin to documentary archaeology. In this respect, the anthropological problem of organizing knowledge in material form is still with us, but with a new challenge: How adequate are our current forms of disciplinary historiography for the use of material evidence? Rather than proposing a new set of “charter myths,” the paper explores writing the history of four-field anthropology as a form of material culture studies or historical archaeology (in other words, as a subfield of anthropology), working with the “time warps” created by museums and archives in which disciplinary history is not always already written." Continue reading at Current Anthropology
As part of the research for the Excavating Pitt-Rivers project, the team has worked through primary manuscript sources as well as documenting objects in the museum collection. Archives and manuscripts are often considered as different kinds of evidence from artefacts, but this kind of distinction was alien to General Pitt-Rivers own approach - and the project team, informed by historical archaeology, has tried to approach manuscript sources as just another kind of material evidence.
With this approach in mind, in Spring 2013, as part of the Excavating Pitt-Rivers project Dan Hicks wrote this paper, about a previously unpublished drawing made by General Pitt-Rivers in 1882. The drawing shows the discipline of anthropology as consisting of four fields - Physical Anthropology, Ethnology, Culture and Archaeology - and pre-dates the 'four-field' model of anthropology associated with Franz Boas by some 24 years. This idea of anthropology as including archaeology has remained important for North American archaeology, while during the 20th century more commonly archaeology and anthropology took different directions in Europe.
The paper is published in open access form online by the journal Current Anthropology, includes a supplement that provides a transcription of the letter written by Pitt-Rivers that accompanies the drawing, outlining his view of the organisation and teaching of the discipline.
The drawing is a unique insight into the early transatlantic exchanges in the development of anthropology as an academic subject. The Current Anthropology paper argues that museums, as places that require the physical organisation of knowledge in material form, were key locations at which classificatory approaches in anthropology came to start to classify anthropological knowledge. It also explores the kind of disciplinary histories that can be written from museums and archives.
You can read the paper on the Current Anthropology website here - http://www.jstor.org/stable/10.1086/673385
The abstract of the paper is below:
"The four-field model of anthropology is conventionally understood to have begun with a paper read by Franz Boas in St. Louis in 1904. Publishing for the first time a drawing made by Augustus Pitt-Rivers in England in 1882, this paper rethinks this proposition by making two arguments. First, the paper explores the role of the classificatory anthropology of the 1870s and 1880s on both sides of the Atlantic in the emergence of the idea of organizing anthropological knowledge. It suggests that this emergence was bound up with the problem of classifying anthropological knowledge in material form in European and North American museums. Second, the paper considers how our knowledge of the discipline's past can develop from the study of objects and documents (rather than only through rereading anthropologists' published texts), in a manner akin to documentary archaeology. In this respect, the anthropological problem of organizing knowledge in material form is still with us, but with a new challenge: How adequate are our current forms of disciplinary historiography for the use of material evidence? Rather than proposing a new set of “charter myths,” the paper explores writing the history of four-field anthropology as a form of material culture studies or historical archaeology (in other words, as a subfield of anthropology), working with the “time warps” created by museums and archives in which disciplinary history is not always already written." Continue reading at Current Anthropology
Pitt-Rivers' field diaries
The
P-series of documents from the Pitt-Rivers archive, which is currently on loan to the Pitt Rivers Museum from the Salisbury & Wiltshire Museum, consists of
various notes and drafts written by Pitt Rivers, most of which were subsequently published. Over the past month, Maria Temporal has been
transcribing the documents from this archive that are most relevant to the Excavating Pitt-Rivers project. Below is her
summary of one of the papers.
Document P23 is a day-by-day manuscript account of Pitt Rivers’ excavations at Cissbury Ring, on the South Downs in West Sussex, over five days in April 1875. Pitt-Rivers describes the
excavation of a ditch and the various artefacts recovered from different layers of the ditch fill. He also describes the excavation of two intercutting pits, and earthworks in the environs of the site.
Pitt-Rivers' field sketches ceramics found in 'Pit 2' at Cissbury, West Sussex (Document P23, folio 7). |
The account includes sketches and drawings of sections of the ditch and the pits, such as that reproduced above. His day-by-day field diary presents his ongoing interpretation of the site, including his account of a large earthwork feature on which further work might be undertaken in the future. These field diaries provide a vivid account of the General in the field. As the project progresses, these accounts will help the interpretation of the objects from these excavations which survive in the Pitt Rivers Museum founding collection.
Pitt-Rivers in London
image: Archaeological sections drawn by General Pitt-Rivers at the Gouch and Cousens Warehouse, London Wall (EC2, City of London) in Autumn 1866. From Lane Fox 1867a: figures 2-4.
The Excavating Pitt-Rivers team is continuing to work on documenting the archaeological collections made by General Pitt-Rivers across England during the 1860s and 1870s. As we move forward with this, we have written this piece on his activities in Greater London for the newsletter of the London and Middlesex Archaeological Society (LAMAS), introducing the Excavating Pitt-Rivers project and giving some overview of the London material. This includes extensive early salvage archaeology undertaken in the City of London, and Palaeolithic archaeology in west London and Acton. A full report, detailing each site and object from Greater London, will be published here later in 2013.
We'll be giving a talk to the Society at 6.30pm on 8 October 2013, at the Museum of London's Clore Learning Centre (EC2Y 5HN; nearest tube: Barbican). For further details, contact LAMAS
Pitt-Rivers in London
General Augustus Henry Lane Fox Pitt-Rivers (1827-1900)
is well known as a collector of archaeological and ethnographic material, as
the founder of the Pitt Rivers Museum at the University of Oxford (founded
1884), as a pioneer in archaeological fieldwork, and as a writer on ideas of
typology and change in material culture over time. His significance in
excavation and recording techniques is well known from his fieldwork on his
estate at Cranborne Chase in the 1880s and 1890s. Less well known is the wide
range of fieldwork that he undertook at sites across England during the 1860s
and 1870s (Bowden 1991: 57-94).
Our current project, funded by Arts Council England, is
documenting objects from the founding collection of the Pitt Rivers Museum to
provide a new account of this early fieldwork, undertaken while the General was
in his 30s and 40s, and before he unexpectedly inherited his title and
inheritance in 1881 – when he was known only as Augustus Henry Lane Fox. The
English archaeological collections have never been a principal focus of
research at the Museum, and the vast majority of objects have been unstudied
for 130 years. In this respect they represent a distinctive kind of 19th-century
archaeological assemblage, as well as collections from earlier periods of
English archaeology – which is why we gave the project the title Excavating Pitt-Rivers.
The founding collection of the Pitt Rivers Museum comprises
some 26,000 objects, around 70% of which are archaeological. Material from
other sources acquired by the Museum after 1884, which includes more than
280,000 objects, does not form part of the present project (but see Hicks and
Stevenson 2013).
Around two thirds (10,500) of the 16,600
archaeological objects in the Pitt Rivers founding collection are from England.
These objects, together with documentary records and published accounts of
excavations, represent a unique record of Pitt-Rivers’ changing techniques of
acquiring and recording objects. Some objects were bought at auction or
acquired from other collectors. Many others were obtained through site visits,
and small and larger-scale excavations. The largest single assemblage is from
the large-scale excavation of a medieval castle at Castle Hill (Caesar’s Camp) in
1878.
Material from Greater London forms a very significant
element of the early Pitt-Rivers collections. The General was a Londoner for
most of his life, living at various houses in Belgravia and Kensington
including 10 Upper Phillimore Gardens and 4 Grosvenor Gardens during the 1860s
and 1870s. He was an active member of learned societies, including the
Ethnological Society of London, the Society of Antiquaries of London, and the
Archaeological Institute. His archaeological and ethnological collection was first shown to the public in London - at Bethnal Green Museum (now the V&A Museum of Childhood) from 1874-1878 and at South Kensington Museum from 1878-1882 - before being donated to the University of Oxford
Documenting the Pitt-Rivers’ London collections has
highlighted his use of salvage or early rescue archaeology, especially in
relation to groundworks for railway construction, during the 1860s. Extensive
collections of Roman and post-Roman material from London Wall made in 1866-7
were published by him (Lane Fox 1867a, 1867b). His interpretation of timber
piles as the evidence of a lake village was incorrect, but more than 300
objects from the fieldwork survive at the Pitt Rivers Museum, including 20
skulls (see Marsh and West 1981).
There is also salvaged material, collected by
him and acquired from others, from other sites in the City of London (including
Broad Street Station (now Broadgate), Cannon Street Station, Bishopsgate,
Bucklersbury, Clement’s Lane Finsbury Circus, Fleet Street Lothbury (Tokenhouse
Yard), Lombard Street, Lower Thames Street (Brewer’s Quay), Mansion House
Minories, Moorfields, Old Jewry, Poultry and Smithfield.
Beyond the City, there
are objects and assemblages from railway works in Southwark (SE1), from a peat
bog in Walthamstow (E17), from Old Swan Wharf in Wandsworth (SW11), from
Lincoln’s Inn (WC2), from Shepherd’s Bush – and even a leather bottle recorded
as found in a cesspool in Homerton.
There are also some 74 later prehistoric,
Romano-British and post-Roman objects recorded as from the River
Thames in London, including bone, ceramic, iron and stone objects, three bronze
axes and two bronze swords.
As well as this material, there are Palaeolithic
collections made by Pitt Rivers during a survey of the gravels of the lower
Thames Valley in west London between 1869 and 1872, including more than 125
stone tools from Acton and Ealing (Roberts 2013: 197; Lane Fox 1869, 1872).
Image: "Sketch map of part of the Thames valley, from Acton to near Chiswick and to the Thames at Kew", showing sections opened by Pitt-Rivers (A-K). From Lane Fox 1872, Figure 1).
By enhancing the documentation of the earliest
excavated and collected archaeological material acquired by Pitt-Rivers, the Excavating Pitt-Rivers project explores
the significance of museum collections for re-thinking the history of
archaeological fieldwork. In London, the collections hold unique evidence for
the beginnings of salvage archaeology and collecting practices that would be
continued by the Guildhall Museum in the 20th century, and for Pitt-Rivers’
interests in Romano-British, post-Roman and Palaeolithic archaeology. Where the
material has been acquired from other antiquarians, such as the c. 17 objects
from the City of London acquired by Pitt-Rivers from James Clutterbuck around
1870, there are new histories to tell – in this case, about the connection of
Clutterbuck (Rector of Little Wittenham) with Pitt-Rivers’ involvement in
protests about the destruction of the Dorchester Dykes, and the growing
awareness of ideas of preservation and salvage in this period (Lane Fox 1870).
The Excavating Pitt-Rivers project team will be giving
a talk about the project to the London and Middlesex Archaeological Society on
8 October 2013, at the Museum of London's Clore Learning Centre (6.30pm). The
talk will provide a more detailed overview of the project, and Pitt-Rivers’
activities in London. Pitt-Rivers was President of LAMAS in the early 1880s,
which is another reason why we are excited to be able to look back on his work
in London, and to speak to the Society in October.
References
Bowden, M. 1991. Pitt
Rivers: the life and archaeological work of Lieutenant-General Augustus Henry
Lane Fox Pitt Rivers. Cambridge: Cambridge University Press.
Hicks, D. and A. Stevenson (eds) 2013. World Archaeology at the Pitt Rivers Museum: a characterization. Oxford: Archaeopress.
Lane-Fox, A.H. 1867a. A description of certain piles found near London Wall and Southwark, possibly the remains of Pile Buildings. Journal of the Anthropological Society of London 5: lxxi-lxxxiii.
Hicks, D. and A. Stevenson (eds) 2013. World Archaeology at the Pitt Rivers Museum: a characterization. Oxford: Archaeopress.
Lane-Fox, A.H. 1867a. A description of certain piles found near London Wall and Southwark, possibly the remains of Pile Buildings. Journal of the Anthropological Society of London 5: lxxi-lxxxiii.
Lane Fox, A.H. 1867b. Objects found
at great depth in the vicinity of the old London Wall. Archaeological
Journal 24: 61-64.
Lane-Fox, A.H. 1869. On the
Discovery of Flint Implements of Palaeolithic type in the gravel of the Thames
Valley at Acton and Ealing. Report: British Association for the
Advancement of Science for 1869: 130-132.
Lane Fox, A.H. 1870. On the
Threatened Destruction of the British Earthworks near Dorchester, Oxfordshire.
Journal of the Ethnological Society of London 2(4): 412-416.
Lane-Fox, A.H. 1872. On the
discovery of Palaeolithic Implements, in connection with Elephas
primigenius in the gravels of the Thames Valley at Acton. Journal
of the Geological Society of London 28: 449-466.
Marsh, G. and B. West
1981. Skullduggery in Roman London? Transactions of the London &
Middlesex Archaeological Society 32: 86-102.
Roberts, A. 2013. Palaeolithic British Isles. In D.
Hicks and A. Stevenson (eds) World
Archaeology at the Pitt Rivers Museum: a characterization. Oxford:
Archaeopress, pp. 169-215.
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